Publicaciones/Publications

Puy, N. (2022) “Interpretive Authenticity: Performances, Versions, and Ontology”. Estetika: The European Journal of Aesthetics, 59: 135–52. Free access to the paper: http://doi.org/10.33134/eeja.327

Puy, N. (2022) “Descriptivism and the Determination Thesis: an Untenable Marriage in the Metaontology of Art”. Philosophical Quarterly, 72 (3), 595–614. https://doi.org/10.1093/pq/pqab055

Puy, N. (2022) “Musical works, types and modal flexibility reconsidered”. Journal of Aesthetics and Art Criticism, 80: 295–308. https://doi.org/10.1093/jaac/kpac017

Puy, N. (2022) “Methodological worries on recent experimental philosophy of music”. Philosophical Psychology, 35, 410–441. https://doi.org/10.1080/09515089.2021.1984418

Puy, N. (2021) “Eliminating Martin’s substratum-trope categorial ontology”. Synthese, 199, 13009–13033. https://doi.org/10.1007/s11229-021-03364-5 (Access to a view-only version of the paper here: https://rdcu.be/cu562 )

Puy, N. (2021) “Nested Types and Musical Versions: Replying to Davies’ Challenges”. Journal of Aesthetics and Art Criticism. 79 (2), 256–260.https://doi.org/10.1093/jaac/kpab012

Puy, N. (2020) “Contextualizing Platonism and Decontextualizing Aristotelianism in the Ontology of Music”. Journal of Aesthetics and Art Criticism. 78 (2), 183–196. (Full access to the paper, here: https://academic.oup.com/jaac/article/78/2/183/5981583?searchresult=1 )

Puy, N. (2019) “The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types”. Journal of Aesthetics and Art Criticism. 77 (3), 241–254. (Full access to the paper, here: https://academic.oup.com/jaac/article/77/3/241/5981504?searchresult=1 )

Puy, N. (2019) “Musical Works’ Repeatability, Audibility and Variability: a Dispositional Account”. Philosophy and Society. Vol. 30 (1), 54–72. ISSN: 2334-8577. Full access to the paper: http://www.doiserbia.nb.rs/img/doi/0353-5738/2019/0353-57381901054G.pdf

Puy, N. (2018) “Musical Minimalism and the Metaphysics of Time”. Revista Portuguesa de Filosofia. Vol. 74. No. 4. Pp. 1267–1306. ISSN: 0870-5283. Full access to the paper: https://www.jstor.org/stable/26563357?seq=1#metadata_info_tab_contents

Puy, N. (2018) “Against Hazlett’s Argument: musical works qua types are modally flexible entities”. Proceedings of the European Society for Aesthetics. Vol. 10. Pp. 212–234. ISSN: 1664-5278.

Puy, N. (2017) “On the ontological category of computer-generated music scores”. Journal of Creative Music Systems. Vol. 1. Issue 2. ISSN 2399-7656. Full access to the paper: https://www.jcms.org.uk/article/id/515/

Puy, N. (2017) “Musical versions and transcriptions. Disputing Stephen Davies Account”. Debates in Aesthetics. Vol. 13. Issue 1. ISSN 2514-6637. Pp. 33-51. Full access to the paper: https://debatesinaesthetics.org/musical-versions-and-transcriptions-disputing-stephen-davies-account/

La Rubia, L., Puy, N. and LaRubia-Prado, F. (Eds.) (2021) Teorías contemporáneas del arte y la literatura. Madrid: Editorial Tecnos. ISBN: 978-84-309-8194-6.

Puy, N. (2021) “Arte arquitectónico, ontología y querellas judiciales”. In Las bellas artes hoy. Valencia: Editorial Tirant Lo Blanch. Pp. 185–198. ISBN: 978-84-1853460-7.

La Rubia, L. and Puy, N. (2021) “Introducción: Pensando el arte desde la teoría”. In La Rubia, L., Puy, N. and LaRubia-Prado, F. (Eds.) Teorías contemporáneas del arte y la literatura. Pp. 15–24. Madrid: Editorial Tecnos. ISBN: 978-84-309-8194-6.

Puy, N. (2021) “El arte conceptual como una teoría contemporánea del arte”. In La Rubia, L., Puy, N. and LaRubia-Prado, F. (Eds.) Teorías contemporáneas del arte y la literatura. Madrid: Editorial Tecnos. Pp. 385–418. ISBN: 978-84-309-8194-6.

Puy, N. (2021) “Las categorías artísticas y la apreciación de las obras de arte”. In La Rubia, L., Puy, N. and LaRubia-Prado, F. (Eds.) Teorías contemporáneas del arte y la literatura. Madrid: Editorial Tecnos.Pp. 471–490. ISBN: 978-84-309-8194-6.

Puy, N. (2020) “Platonismo musical y composición de obras musicales por ordenador”. In Carmen Rodríguez Martín (Ed.), Un paseo entre las jaulas: ensayos sobre arte y naturaleza. Granada: Editorial Comares. Pp. 337–360.

Puy, N. (2010) “¿Por qué la música para el pitagorismo no es geométrica sino harmónica?”. In Hernández Rojo, F. and La Rubia de Prado, L. (Eds.) Arte y Geometría. Editorial Universidad de Granada: Granada. Pp. 185–210. ISBN: 978-84-338-5168-0

Puy, N. (2021) “Review of Julian Dodd, Being True to Works of Music, Oxford University Press”. Journal of Aesthetics and Art Criticism, 79 (2), 268–272.

Puy, N. (2016) “Review of Sara Barrena La belleza en Charles S. Peirce: Origen y alcance de sus ideas estéticas ”. Transactions of the Charles S. Peirce Society, 52 (4), 652-658.

Puy, N. (2019) “Ontología de la Música”. Enciclopedia de la Sociedad Española de Filosofía Analítica. ISSN: 2605-5449.

(2019) Los cielos cabizbajos. Lagartija Nick, University of Granada Choir & Ensemble. Granada: Montgrí. ISBN: 842-6-9469-0815-6.

(2015) Escenas contemporáneas. The Proemium Metals Brass Quintet & University of Granada Orchestra (Gabriel Delgado Morán, conductor). AMBAR. Legal deposit: GR- 0560/15. ISBN 843-6-0082-6371-0.

(2014) “Autobiografía”, in La casa de la palabra. 2014. Andart Producciones. Legal deposit: GR-1551-2014.

(2013) Confluencias. The Proemium Metals Brass Quintet. AMBAR. Legal deposit: GR-0138/13. ISBN 843-6-0082-6347-5.

(2011) Ástor en Bronces. The Proemium Metals Brass Quintet. 2011. AMBAR. Legal deposit: GR-0463/11. ISBN 843-6-0082-6315-4.

(2005) La Navidad en la Capilla Real de Granada. Camerata Amati, conductor Luis Otero. AMBAR. Legal deposit: GR-2168/2005.

(2005) “Divertimento” (Sobre el trío nº1 de F. Duvernoy) Trío Padre Suárez. AMBAR. Legal deposit: GR-1145/05

Premios/Awards

Extraordinary PhD Award. University of Granada (September 2022).

Fabian Dorsch Essay Prize. European Society for Aesthetics (June 2021).

John Fisher Memorial Prize. American Society for Aesthetics (March 2019).

Second Prize of the Burke & Bagley Competition for chamber music (USA, May 2017).

Finalist of the Jan Koetsier Competition (Music Conservatory of Munich and Bavarian Radio Orchestra) (November 2016).

Finalist of the Jan Koetsier Competition (Music Conservatory of Munich and Bavarian Radio Orchestra) (November 2014).

First prize of the Mediterranean Brass Festival Competition, Valencia (July 2013).

150 Best Academic Records Awards of the University of Granada during the academic year 2009/10.

Proyectos de Investigación / Research Projects

Normative Aspects of Aesthetic Appreciation. Dates: May 2020–present. Founder: Spanish Ministry of Science, Technology and Innovation. Quantity: 333.275€. Participation as a member of the research team. Main researchers: Francisca Pérez Carreño, María José Alcaraz León.

The Eliminativist Approach to Categories: Issues in Ontology, Philosophy of Language, and Philosophy of Science (2016-T1/HUM-1263). Dates: July 2020 – December 2020. Founder: Consejería de Educación, Juventud y Deporte. Comunidad de Madrid. Quantity: 228.221€. Participation as a member of the research team. Main researcher: Javier Cumpa Arteseros.

Expresivismos contemporáneos y la indispensabilidad del vocabulario normativo: alcance y límites de la hipótesis expresivista (FFI2016-80088-P). Dates: January 2017 – July 2020. Founder: Spanish Ministry of Science, Technology and Innovation. Quantity: 42.000€. Participation as a member of the research team.

Unidad de Excelencia FiloLab–UGR, University of Granada. Dates: September 2017 – currently. Founder: University of Granada. Quantity: 45.000€. Participation as a member of the research team.

Naturalismo, expresivismo y normatividad (FFI2013-44836-P). University of Granada. Dates: September 2014 – December 2017. Founder: Spanish Ministry of Science, Technology and Innovation. Quantity: 54.450€. Participation as a member of the research team.

Estancias de investigación / Research Stays

University of Leeds. School of Philosophy, Religion and History of Science. 01/04/2022 – 30/06/2022.

University of Manchester. Department of Philosophy. 21/01/2018 – 04/03/2018. Supervisor: Julian Dodd.

Open University. Department of Philosophy. 15/09/2016 – 13/12/2016. Supervisor: Derek Matravers.

  • investigacion.txt
  • Última modificación: 2022/10/03 12:36
  • por nemesio.garcia@um.es